Skin Care Essay Example For Students

Skin Care Essay Throughout the late 1800s and until the present, cosmetics and skin care have been important in the lives ofwomen in America. Certain trends have come and gone, just as some have remained. In the past 100years, the roles and lives of women have changed drastically, but their cosmetics have always been around. Charm books along with step-by-step manuals give us today a look into the past. Advertisements are also agreat source of history. Using these means, central themes in cosmetics can be determined, almost simply. Throughout the past century, pleasing your man, looking natural, and being a sophisticated, contemporarywoman with a fresh young look, have been important to the cosmetic companies and to their femaleconsumers. In the late 1800s, cosmetics were being produced and sold to college-aged women and older. However, alarge hypocrisy was occurring. Women were being told that it was necessary to wear cosmetics, however,it was vain to wear noticeable make-up. It was quoted from St. Pauls Magazine that, If a girl has the trialof a complexion so bad that the sight of it gives one a turn, it is simply a duty for her either not to go intosociety at all, or, if she does, to conceal it?you have no right to inflict your misfortunes on everybody-it isan unpardonable offense against good taste (Williams 113). The women of this time were being bombarded with mixed messages. Their problems with thishypocrisy were settled to only wearing a light powder and rouge. Colors worn were usually corals andpeaches because brighter colors would not provide the appropriate image that the woman was trying toconvey. Their goal was to convey a natural glow that healthy women possessed. There were the yearswhen women were slapping their cheeks and biting their lips to draw natural color to their face. It was also quoted that, Every college girls room should be fitted with a mirror, so that even whenimmersed in her studies the young lady should not be negligent of her appearance (Williams 113). Even100 years ago, women were being forced to be aware of their appearance at all times. The early 1900s brought about a slight change in womens cosmetics. Lipsticks were the normand mascara and eyeshadow were emphasized as necessary for eveningwear. This came about after theFirst World War. Also, in the 1920s, class lines were being broken. The flappers came out smokingcigarettes, cutting their hair, and wearing cosmetics that did not harmonize their facial make-up(Williams 134). Many other women followed parts of these trends and it was no longer possible to tell awomans social position from her appearance. Then again in the 1930s, women went back to more natural and softer hues. Women were beingtold that the older they were, the more make-up they were using would help them look their best (Williams147). The goal at this time was to keep your man guessing if your complexion was natural or not. Depilatories were used to remove unwanted hair sprouting from the face and bleaches were used to fadeaging spots. Here, pleasing your man and reverting back to youth play an important role in the cosmeticsbeing used by women. In the 1950s, charm and the essence of being a perfect little woman were important. Innerbeauty was seen as ones charm, where outer beauty was their passport to the world (McLeod 37). Step-by-step charm books gave women the instructions to be pretty and popular. Never forget, perfect make-up isdate bait (McLeod 52). Home skin care remedies were used as well as following a strict daily regimen,including diet, hair care, and housework. Following a regimen was seen as good for ones health (McLeod41). .u7ff9dbb94ee2bdac4a254efd79f728d1 , .u7ff9dbb94ee2bdac4a254efd79f728d1 .postImageUrl , .u7ff9dbb94ee2bdac4a254efd79f728d1 .centered-text-area { min-height: 80px; position: relative; } .u7ff9dbb94ee2bdac4a254efd79f728d1 , .u7ff9dbb94ee2bdac4a254efd79f728d1:hover , .u7ff9dbb94ee2bdac4a254efd79f728d1:visited , .u7ff9dbb94ee2bdac4a254efd79f728d1:active { border:0!important; } .u7ff9dbb94ee2bdac4a254efd79f728d1 .clearfix:after { content: ""; display: table; clear: both; } .u7ff9dbb94ee2bdac4a254efd79f728d1 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u7ff9dbb94ee2bdac4a254efd79f728d1:active , .u7ff9dbb94ee2bdac4a254efd79f728d1:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u7ff9dbb94ee2bdac4a254efd79f728d1 .centered-text-area { width: 100%; position: relative ; } .u7ff9dbb94ee2bdac4a254efd79f728d1 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u7ff9dbb94ee2bdac4a254efd79f728d1 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u7ff9dbb94ee2bdac4a254efd79f728d1 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u7ff9dbb94ee2bdac4a254efd79f728d1:hover .ctaButton { background-color: #34495E!important; } .u7ff9dbb94ee2bdac4a254efd79f728d1 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u7ff9dbb94ee2bdac4a254efd79f728d1 .u7ff9dbb94ee2bdac4a254efd79f728d1-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u7ff9dbb94ee2bdac4a254efd79f728d1:after { content: ""; display: block; clear: both; } READ: Antebellum Periods And Reforms EssayOn into the 1960s, skin care was a big issue. However, many misconceptions were going around. Women were told that oily skin resulted from their improper mental attitude and improper breathing, just asdry skin was caused by poor function of the master gland (Jones 8). In the 1960s, the art of camouflagewas necessary to perfect ones facial features and provide a natural look (Jones 32). Since skin care wassuch a big issue, determining ones skin tone was a must. Women were instructed to go to a window withbright light to determine if they had pink, cream, or olive undertones. But if they were pale and had cometo no conclusion, they were to compare their face to a piece of fresh white typing paper. Finding ones skintone was essential for perfect make-up application because, college boys frown on a paint job (Jones 12). In the 1970s, the contemporary woman evolved. It was her goal to survive in the 70sprofessionally and personally. She was to be natural and youthful with a lot of energy and charisma. Itwas her turn to step out into the world and show she was ready to handle it. Fashion was extremelyimportant and their cosmetics had to reflect their lifestyle. Making-up was seen as an art form and manyadvertisements used nature and natural images to attract women of the 1970s. In the 1980s, bright colored cosmetics were the trend. Cosmetics were packaged together forconvenience. Even though bright colors were popular, a natural-looking appearance was still crucial. Colors packaged together were supposed to complement each other for ease. On into the 1990s, we revert back to the same ideas that were out in the 70s. Youthfulappearances along with beauty from nature are in style. The clean look is what women aim for. Maybellines ad illustrates the natural concept. Maybe shes born with it-maybe its Maybelline. Thisbrand of cosmetics falls into the theme of trying to keep the outsiders guessing if your look was somethingyou were born with or not. Also in the late nineties, a trend came about that utilized the bright colors of the 1980s. It was atotal break from the norm of cosmetics. Outrageous colors combined with sparkles and frosts for lips, eyes,and nails became the trend of many popular cosmetic companies. The goal of these cosmetics is to beyourself and almost anything goes. Girls are seen wearing glitter on their eyelids at all times of the day,any day of the week and even older women have opted to the new hues of nail color (dark maroons, brightblues, and yellow-golds). Women have the choice to wear whatever colors they wish. The colors worn areseen as a reflection of their creative style and personality. Even though this may possibly be abreakthrough in the repetitive land of cosmetics, many women still choose the natural look. A century of cosmetics shows a variable amount of change. It shows how make-up changes withthe changing culture of a society. However, central themes are easily recognizable through each decade. The natural look of perfection continues in the year of today, as with the goal of restoring youth andlooking younger. Trying to please men with womens looks does not cease. Also, trying to find a newtrend, but reverting back to old ways seems to occur frequently. Cosmetics have played an important role in the lives of women throughout the century. From thelate 1800s, when women were told what make-up fit the standard of society?and on through the ninetieswhere anything goes, we have been given mixed signals and we have solutions that are tried and true. .uc7f48c998c5590774f39aeb5cb0031ef , .uc7f48c998c5590774f39aeb5cb0031ef .postImageUrl , .uc7f48c998c5590774f39aeb5cb0031ef .centered-text-area { min-height: 80px; position: relative; } .uc7f48c998c5590774f39aeb5cb0031ef , .uc7f48c998c5590774f39aeb5cb0031ef:hover , .uc7f48c998c5590774f39aeb5cb0031ef:visited , .uc7f48c998c5590774f39aeb5cb0031ef:active { border:0!important; } .uc7f48c998c5590774f39aeb5cb0031ef .clearfix:after { content: ""; display: table; clear: both; } .uc7f48c998c5590774f39aeb5cb0031ef { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .uc7f48c998c5590774f39aeb5cb0031ef:active , .uc7f48c998c5590774f39aeb5cb0031ef:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .uc7f48c998c5590774f39aeb5cb0031ef .centered-text-area { width: 100%; position: relative ; } .uc7f48c998c5590774f39aeb5cb0031ef .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .uc7f48c998c5590774f39aeb5cb0031ef .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .uc7f48c998c5590774f39aeb5cb0031ef .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .uc7f48c998c5590774f39aeb5cb0031ef:hover .ctaButton { background-color: #34495E!important; } .uc7f48c998c5590774f39aeb5cb0031ef .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .uc7f48c998c5590774f39aeb5cb0031ef .uc7f48c998c5590774f39aeb5cb0031ef-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .uc7f48c998c5590774f39aeb5cb0031ef:after { content: ""; display: block; clear: both; } READ: Drunk driving EssayThough the central themes have been a kind of downer in the times of female revolution, finally in the late90s cosmetics have given women the go ahead to be creative, wear what colors they want, and in the wordsof designer Calvin Klein, just be.Jones, Candy. Finishing Touches. New York: Harper, 1961. McLeod, Edyth Thornton. Charm, Beauty, and Personality for Success. Scranton: Laurel, 1952. Williams, Neville. Powder and Paint. New York: Longmans, 1957.